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Advertisement Book of the dead is another point and click spot the differences type game from Max Games. Point and click out the differences to advance to the next level.
Click on the seven things you find different from the two images to advance your character to the next stage. Can you figure out the mystery of the dead?
Good luck and have fun! Play This Game. This is insanely hard, On scene in locker room with 2 guys with guns, one difference left. It saves time in repacking textures for HDRP and the likes.
All the assets are ready to be imported into a project setup with the High Definition Render Pipeline or the Lightweight Render Pipeline.
The creation of a wind system for vegetation assets and its whole pipeline is always a tricky process. There are many different kinds of vegetation assets that would need to be animated in different ways; two different trees might require completely different setup and different shader complexity.
For this reason, our team decided to create a custom vertex shader based procedural animation for the wind effect on our vegetation assets. We made it tailored to work with our specific project and the trees or bushes it contains.
Allowing us to have a complete control over it. Torbjorn Laedre, our Tech Lead built a shader that would support several different types of vegetation, using 3 different techniques:.
The trees were the more complex assets to prepare, on the content side, they are using the Hierarchy Pivot type of animation and they rely on 3 distinct levels of hierarchy:.
The shader needs to know the level of hierarchy and the pivot of every single vertex of the tree. I first had to author the geometry of the tree itself, and then assign the level of hierarchy for every polygon of the tree using the green vertex color channel.
I did this using Autodesk Maya, with some small scripts I was able to set up all of the LODs of an asset in minutes.
They are texture masks that would help determine where in the geometry the pivot of the branch be. We used this for the branches that used hard alpha textures for geometry.
Here is an illustration of this mask. With all this information prepared, I could use the C script that would input my tree prefab, and generate a new prefab with the pivot information of every vertex baked in.
After adding a WindControl object to my scene, I can import my tree in the scene, and start playing with the material properties.
You can see that each hierarchy level has a range property basically the length of the trunk, or branches and an elasticity property.
There are also some properties to set up wind flutter animation. They add a bit of procedural noise to the vertex positions, to imitate the vibration of the branches when the wind blows on them.
Last, but not least, we had to make the wind sound FX influence the wind animation. The volume of the sound is driving the wind strength of the animation.
It is really surprising how a simple idea can add to the project. If you have not done it already, you should open the project and walk around.
You will notice the trees and all the grass around shaking when you hear large gusts of wind hit your surroundings. When targeting the level of detail and density of a project like Book of the Dead , it was important for me to think about how I was going to structure the level, to avoid performance issues later in production.
One of the things I tried to be careful about, was to limit long view distances in the scene. This video shows the Occlusion Culling Visualization, and you can easily guess where the camera is looking at from the top view.
You will also be able to see that some objects are not culled, those are mostly the really tall trees, some over 25 meters tall, that have a very large bounding box and are therefore hard to cull behind the cliffs.
The HDRP Layered Shader allows blending of layers using their heightmap texture, so the result is better than the linear blend that comes with the legacy terrain shader.
In this animation, I am simply changing the different layers height offset. This is, of course, a temporary solution, and not properly integrated in the UI.
These layers are there mainly to help you paint the different layers on the terrain. The mobile game is based on the recent technologies such as Amplify Color and Bloom which create the graphics level enormous.
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